I'm not a huge fan of Nancy Gibbs' writing over at Time magazine (you know, given how often I gripe about this publication, I'm beginning to wonder why I read it . . . I suppose it's because I like to think it keeps me in touch with main-stream America), but she had an interesting piece the other day about Sesame Street's influence on our President.
Artistically, what I always liked about Sesame Street was the drama. Real stuff happened on the Street - it was usually fairly mundane, but I still remember the day that I found out that Mr. Hooper died (RIP) - on the 6 o'clock news. It was intense. Anyways, it seemed like real people dealing with real emotions (although in retrospect, most of it was probably just acting) - sometimes having fun, sometimes being sad, or angry, or whatever. The point is that it was the drama that pulled me in and that I think ends up getting cut with all these new-fangled camera and editing techniques. I'd prefer to see them go back to concentrating on old-fashioned story-telling (btw - it's the same reason that Star Wars is dead to me after the horrors that were Episodes 1 through 3), but that would probably kill the Nielsen ratings - stupid Americans.
Anyhow, Sesame Street was a major part of my childhood; it was about the only thing I was allowed to watch. I was in love with Maria from the show. I think it probably had a major influence on what I conceived of when I thought of a city neighborhood and my idealization of what life in the city should be like: a diverse community of people living communally.
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