Robert Pinsky, previously the poet-laureate of the US, has written a grand collection of poems centered on the here and now. These poems are reflections on contemporary American life. The title reminds one immediately of Hurricane Katrina, which is contemplated specifically in the title poem, but it also reminds one of the war in Iraq - the Persian Gulf. And as such, Pinsky covers both domestic and foreign policy, but also, he considers the more mundane and the more personal. Altogether, although some poems stick out more than others, this collection is a somewhat of a snapshot of life of all sorts in America in the first decade of the third millennium Anno Domini.
I'm also partial to Pinsky's voice. The way he connects stanzas such that they have disparate ideas but transition so fluidly. For instance, in "Gulf Music" the poem, which recalls the earlier hurricanes of the Gulf area, but forces one to think about the more recent and uses a sing-song, rhythmic chanting to conjure up thoughts of Cajun culture and voodoo magic - the hurricanes seem to be part of a spiritual unity:
New Orleans style borrowing this and that, ah wail-ah-way la-la,
They probably got "714" from Joe Friday's badge number
On Dragnet. Jack Webb chose the number in memory
Of Babe Ruth's 714 home runs, the old record.
As living memory of the great hurricanes of the thirties
And the fifties dissolved, Civil Defense Forces 714
Also dissolved, washed away for well or ill - yet nothing
Ever entirely abandoned though generations forget, and ah
Well the partial forgetting embellishes everything all the more:
Alla-mallah, mi-Mizraim, try my tra-la, hotesy-totesy.
Another of my favorite poems is "Poem of Disconnected Parts," which strings together ideas that only obliquely refer to each other. It begins:
At Robben Island the political prisoners studied.
They coined the motto Each one Teach one.
In Argentina the torturers demanded the prisoners
Address them always as "Profesor."
And continues from there. Pinsky is clearly indicating/indicting the torture of prisoners under the Bush administration, but also raising questions about education. Is it revolutionary or reactionary? Well, it depends on the context. For the ANC education was revolutionary. For the powerful, education is a means of control. Is it a matter of what is being studied? Or is it a matter of the context in which things are studied? As a member of the teaching establishment, I'd like to think the former. The post-modern in me thinks there might be something to the latter. Pinsky (incidently - also a member of the establishment, at BU) raises the question and it is one to grapple with. It is to his credit and our benefit, that he raises that and many more in this enjoyable book.